Thursday, May 26, 2016

Welcoming the Community

We recently concluded Art-a-Whirl, the largest open studio event in the country. During eighteen hours over three days, thousands traipsed through studios in NE Minneapolis. Occasionally I weigh the convenience of a home studio with our space in an artist building, fifteen miles from our home. There are winter days when getting in the car to go there seems daunting. Art-a Whirl then rolls around and reminds me of the value of opening our doors to a slice of community we might otherwise not encounter.

I've always said it is a great way to throw a party without the housecleaning flurry that accompanies guests in one's home. We need only complete enough paintings to cover our walls, frame, hang and label them, print cards for sale, send an invite to 300 people, stock up on wine and food and open our doors. Easy!

Many friends do come through and we love their visits. I fill up my calendar with dinner dates for the following weeks. I am a bit chagrined at how poorly I would sustain my network of friends without periodic open studios. I am also reminded of how diverse my network of friends is, drawn from so many different parts of my life and my history.

Every year I have returning guests, people I don't know, but who remember my work from a prior year and are genuinely excited to encounter it again. "l want you to tell my friend the story you told me last year about this painting." one woman says. My work encompasses both story and artwork, each reinforcing the other. I am pleased when it is memorable. So often I wonder if I am spinning my wheels. I work in solitude so much of the time that the response of others is truly heartening, reminding me why I do what I do.

This year I had more work on memory. It falls in three sections: 1) my mother's experience with memory loss and the creativity that she still was capable of exhibiting 2) the experience through a daughter and caregiver's eyes and 3) memories others shared with a loved one who lost memory. The last category is fed by others' contributions to a memory jar.

At last year's Art-a-Whirl I was moved by the many people who shared their story related to memory loss with me. I decided to try to capture that all too universal experience with a memory jar. I invited others to share a memory they had shared with a loved one who lost memory, one for which they are now the keeper of the memory. It got off to a slow start. Last year I had to cajole entries, explaining the concept over and over. This year I had paintings based on others' stories hanging on the wall. Every time I looked up someone was standing deep in thought by the memory jar, pen in hand. I was touched by the love they expressed, the memories of loved ones they honored. I had people thank me for including that, giving them an opportunity to engage and to honor. I think I'm onto something. Ideas start by reflecting on my own experience, but I am never sure if what speaks to me has a broader reach. Now I feel quite certain that it does.

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